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Reading Film and Video Makers

Issue 10 2005 Issue 9 8 7 6 5 4 3 2 1 Snippets

Issue 6 - April 2002 Magazine Articles.

Editorial Chairmans
Chat
Thrill of it all Beans Making of
9-11
Jokes etc.
Taking all the credits Open
Afternoon
Magic Box Competition Results Committee  

TAKING ALL THE CREDITS
Peter Marsh

Have you noticed how feature film credits seem to get longer and longer these days? Some people will walk out of a cinema or switch the VCR to rewind just as soon as the credits start to roll. Me? I'm always fascinated to see who the location caterer was, or who provided the hero's flash motor. Sad, or what!

Some of the jobs are puzzling. You may have seen the credit for the Foley Operator. Well, when you see people walking on wet cobblestones or running along the beach, you're hearing the Foley operators walking and running in a small area on similar kinds of surfaces in time with the action they're watching on the screen. I think the name comes from the American inventor of the editing process used. Years ago, I knew a woman who did this job for a living, and I remember being amazed just how much skill is involved.

How about the Gaffer? We know this as an English expression for the "old man", and indeed in the movie business he is the much respected Chief Electrician on the set.

The gaffer's second-in-command is the Best Boy, so called because he's literally the best boy (in the gaffer's opinion) among the electricians. It is interesting that there are female "best boys", but there are no "best girls".

Then you may notice the Grip. He's the all-purpose Mr. Fix it. There will typically be several of these on a film doing things like: laying the dolly tracks, building up scaffolding and platforms, and often liasing with the gaffer. The supervisor of this little lot is the Key Grip, who will often also function as a back up to the camera crew.

So there we have just a few of the names you'll see scrolling up at the end of your favourite film. Keep an eye out. I'm sure they'll appreciate it!

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