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Reading Film and Video Makers

Issue 10 2005 Issue 9 8 7 6 5 4 3 2 1 Snippets

Issue 4 - April 2001 Magazine Articles.

Editorial Chairmans
Chat
Appeals for help Meet the Members Master Class Lesson One.
Breaking Rules 9.5 Mini Festival BBC Studios IAC and the IOV Competition Results Committee

9.5 MINI FESTIVAL
Alan Lott

In these modern times of the gauge war between various video systems and confusing computers it is somewhat heartening to realise that some things never change.

This was brought home to me when I attended the Mini Festival presented by the Wessex 9.5 group on Saturday 21 October 2000. This group is very fortunate to have their own club house adjacent to the Allendale Centre and they have furnished it as a 100 seat cinema, something like Don Curries but on a much larger scale with plush tip up seats, a tea bar opening onto the rear of the seating area, good parking adjacent (but prepaid tickets).

The very full programme commenced at l400hrs and ran with two short intervals, and a one hour break for a fish and chip supper at l800hrs until 22.15

As usual it was a full house and Grahame Newnhame, the organiser of the group 9.5 stated that it was becoming so popular that numbers would have to be restricted in future. The programme was essentially based on the 9.5mm film gauge, the first ever-amateur gauge and marketed in 1922. Although it has undergone many marketing changes and almost died out in the United Kingdom in the 1960's following the failure of Pathescope.
Great Britain it is now very much 'up and running' with international groups and competitions with a small but growing band of devotees in the U.S.A.

I started on 9.5 and my wedding in 1945 was filmed in this format so I have an affection for this gauge, although I haven't filmed in it for many years. I still have my original Dekko camera still in good running condition as well
as a Specto 500 dual gauge 9.5/16mm projector; also a VOX rebuilt sound projector and a selection of 9.5mm sound films including pre war musicals. Older members of the club will remember me showing some of these.

I have taken the 9.5 Association's magazine for many years and have been slightly sceptical of its claims made by members who still film in 9.5mm of the magnificent pictures they are now able to screen using Fuji or Konika film. I must say I was very impressed with the pictures projected at the meeting. It has almost tempted me to pull out my Dekko and shoot a few feet!

Roger Spence the president of the group who has come first in many international competitions projected his latest film "The Milli" a colour film with magnetic sound track of the metre gauge narrow gauge preserved railway that runs between the old East and West Germany. It was stunning.
Jeremy Jago gave us a most interesting slide talk about the early history of sound recording in the U.K. and the U.S.A. He showed pictures of early equipment I have never seen in reference books.

Also did you know that many pre war musical films made by British Lion Films now only exist on 9.5mm sound because British Lion destroyed all the master negatives and all 35mm projection prints after the run on the main cinema circuits. One of these full length films "It's a Grand Old World" featuring Sandy Powell was shown to complete the evening.

If ever the club is short of material to make up a seasons programme it would be worth inviting Roger Spence to come along and give a demonstration of the current situation of the 9.5mm film gauge

Finally news for the video devotees! It was announced in the October 2000 issue of Stereoscopic Society Journal of 3D imaging that Canon has introduced a 3D zoom lens for DVD cameras

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