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Reading Film and Video Makers

Issue 10 2005 Issue 9 8 7 6 5 4 3 2 1 Snippets

Issue 3 - August 2000 Magazine Articles.

Editorial Chairmans
Chat
New Experience Licenciates of the IAC Meet the Members Committee
Past Glories Master Class Frome 5 Min Festival Surrey F&V Festival What Camera Competitions

WHAT CAMERA? - Bruce Dawes

Having been deliberating over several months about buying a second video camera and whether or not to go digital, I recently took the plunge. One important feature that concerned me was a decent optical zoom, since I travel about taking a lot of shipping on video, some of which can be quite a distance away. Another very important feature is the steadyshot facility as I frequently have to hand hold the camera when afloat on the boat trips (such as my video 'Sail Wind & Water).

Such a camera recently came to my notice, the Panasonic DS-11 digital camera which has a 20x optical zoom (similar to 21x on my present Hi8 camera, a Sony 3100). I also chose this camera as both my S-VHS recorders are Panasonic and so everything uses sync edit direct from the camera (not so with the Sony!).

Having bought it, the next day both Dad and I took it down to Southampton and across to the Isle of Wight to try it out against the Sony. Looking at the results that evening I found the digital picture to be much better and although there is a lot of movement in both sets of pictures, the Panasonic 'image stabiliser' is not a patch on the Sony, there seeming to be a 'vibration' on sharp edges in the picture as it moved.(theory: is this is due to pixels in the digital system?). Movement on the Sony is far smoother.
Not being entirely satisfied I returned the camera. It transpired that the 'image stabiliser' is an electronic system as compared with an optical system in the Sony. I was then allowed to borrow a Panasonic DX-110 3CCD camera with optical stabiliser. This was then tried out on a similar trip to Southampton and the Isle of Wight. The optical zoom of this camera is 12x, picture quality again very good but still more shaky than the Sony. Moving into the digital range up to around l8x the picture quality does deteriorate and the optical stabiliser is only marginally better than the DS11. This camera to was duly returned and the sales staff in the shop were interested to hear about my experiments.
There now was only one thing left to try, compare Sony with Sony. So knowing that Neil Hodgson had a Sony digital camera (a TRV900E) he was asked to participate in the trials. These took place one lunch hour on the roof of the Reading Station car park taking various views across the river and town to compare the zooms both digital and optical and perhaps more importantly to me, the steadyshot. Neil was kind enough to copy his tape for me to use as a comparison.Thanks for your help, Neil. As expected, the two tapes showed near enough identical results, the systems in both cameras must be the same.
As you may guess, I have now selected my new digital camera and have returned to a Sony, and am now the owner of, like Neil, a TRV900E. What about the syncro-edit I hear you ask?. Well, I have existed without it for this long so I will keep with what I know.

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